BEHIND THE GREEN DOOR (USA 1975)

A woman is kidnapped. We are neither told anything about herself nor about the motive of the offence. Is it abduction against her will actually? Anyway, she does not seem to be very indignant when she is guided to a little theatre stage where she is immediately divested and sexually stimulated by a group of young women. The actress also relishes being fucked by a tall black man in full view of a decadent audience fusing itself into an orgy at the same time. In the end of this strange performance four men approach in an acrobatic way ejaculating on her face. This cum shot scene is the most psychedelic that has ever been shown in porn. For about seven minutes we see sperm hurtle through the air - in shrill colours and accompanied by off-beat music. At the end of the film a gentleman takes the woman home, where the two are shown in a bit conventional but delightful scene. BEHIND THE GREEN DOOR is a sensual intimate play including experimental lines in parts. The sex scenes are very explicit but mostly much too abstract to have pornographic character in a narrower sense. The higher aim of this extraordinary film is to combine eroticism with social criticism. Bear in mind that in 1975, racism in America was more marked than today and that having sex with black men and women was deemed to be scandalous from most of the white American population. Also the sexuality of woman was still faced with its liberation. This film attends to both topics in a simple but much elaborated way. BEHIND THE GREEN DOOR obtained lots of publicity assisted by Marilyn Chambers who had quickly finished drama school shortly before the beginning of the shooting. Before the premiere of the film, the audience already knew Marilyn as "the pretty girl in soap advertising". The fact that such a known and lovely woman appears in porn was very incomprehensible for lots of people and put a different complexion on the porn industry. Quite possible that this film would have been screened only short in porn- and long in underground cinemas without the cooperation of Marilyn Chambers. But then, things ran completely different: sensation-seeking spectators watched a film which showed the borders of porn and art flowing into each other, and went home sometimes confused. The decision for Marilyn Chambers as leading actress for BEHIND THE GREEN DOOR was the right choice at any rate because she is acting charming and absolutely convincing at any time.

Direction: Artie Mitchell, James Mitchell (The Mitchell-Brothers) Actors/actresses: Marilyn Chambers, George S. McDonald, Johnnie Keyes, Lisa Grant, Yank Levine, Toad Athell, Ben Davidson, Adrienne Mitchell, Dana Fuller, u.a. Run:70 min.

DEBBIE DOES DALLAS (USA 1978)

Debbie (Bambi Woods) and her friends want to scare up money to accompany their team as cheerleaders to a match. The job-seeking turns out to be difficult, but as all the girls are very pretty, a lust bringing and also profitable source of income is soon presented to them… One after another, each girl appears in action. The final scene shows at last Debbie who gives a glamorous performance. Under the title THE BEST LITTLE WHORE IN TEXAS!, this marvellous bedraggled pearl among porns should primary be shown in cinemas. To avoid trouble with the justice, they compromised on DEBBIE DOES DALLAS. This did not harm to the success of the film anyways. He belongs to the financially most successful porns ever and can even today be found in the Top 10 lists of enthusiasts of erotic art films. Rapid and loosely produced sex scenes are what DEBBIE DOES DALLAS makes a brilliant film of. By this, he belongs to the classics which correspond dramaturgic most likely to the high-grade porns of present. That is to say that he contains a story which consequently and plausible leads us from one sex scene to the other instead of trying to develop a kind of complex feature film dramaturgy. During the sex scenes, the film completely relies again on the effect of naked bodies affecting the spectator. No sign of sensationalism of which lots of ambitious porns fall into. Only elegant 70ies ambience and mostly very groovy music are admitted as stylistic device. Apart from that, everything else is produced plain and modest. It is of course a little surprising that this film of all was the first porn finding its way on a theatre stage. In August 2001, DEBBIE DOES DALLAS celebrated first night at Broadway Theatre. Anyhow - the film deserves this late honour because DEBBIE DOES DALLES has not forfeited anything of its original esprit until today. A milestone which is - relating to sharpness - in no way inferior to today's productions, and which leaves them as well behind in terms of coolness.

Direction: Jim Clark Actors/actresses: Bambi Woods, Misty Winter, Robyn Byrd, Pat Allure, Paula Head, Kasey Rodgers, Georgette Sanders, Sherri Tart, Merill Townsend, Rikki O'Neal, Arcadia Lake, a.o. Run: 81 min.

THE OPENING OF MISTY BEETHOVEN (USA 1976)

The story of the film follows those of MY FAIR LADY: A certain Dr. Love (Jamie Gillis) meets with the prostituted Misty Beethoven (Constance Money). He is delighted with her and intent on making the Golden Rod-Girl of her, a sexual accomplished artist. After a short hesitance, Misty agrees to the plan and soon after, she experiences all the ups and downs of being a sex student. THE OPENING OF MISTY BEETHOVEN is - concerning stagecraft as well as dramatic composition - loosely able to stand comparison next to reputable films. It concerns a consistently facetious and intelligent film, which is rather in common with Woody Allen than with DEEP THROAT. All that without becoming suspect not to be a real porn, because this film has got more and above all essentially prickly sex to offer than DEEP THROAT. Asking her name, the heroine of the film answers: "Misty Beethoven". "Your real name?" - "No, it's not, but I think it sounds more important." "What's your real name?" - "Dolores Beethoven". This kind of dialogues is rare in the history of porn. A little funny anecdote noted in the margin: Based on the scene where Misty and a friend coddle a man with a dildo, the film ended up in gay film category betimes. A varied selection of erotic naughty riddled with pop art motifs stirs porn fans and cinemagoers blood. Everything is elegantly shot and jazzy acted. Director Henry Paris manages specially interconnecting the plot with eroticism and sex so that none of these elements degenerates to foreign matter. Finally, THE OPENING OF MISTY BEETHOVEN was honoured with the first porn award and screened for seven years steadily in American sex cinemas.

Direction: Henry Paris, Aka Radley Metzger Actors/actresses: Constance Money, Jaqueline Beudant, Jamie Gillis, Terry Hall, Gloria Leonard, Jenny Baxter, Mary Stuart, Marlene Willoughby, Ras King, Casey Donovan, Janet Baldwin, Cynthia Gardener, Helen Simone, Marlene Parker, a.o. Run: 84 min.

SENSATIONAL JANINE (Josefine Mutzenbacher...wie sie wirklich war, Part 1, Germany 1976)

The screening of life of the Vienna doxy is the most successful and possibly the best German porn. Even in the USA, he caused quite a stir under the title SENSATIONAL JANINE. What a pity that the Americans had to watch this film in English dub version! Like this, a funny detail was kept from the audience: the jocular Vienna dialect, which took effect in porn for the first time and which in Germany, contributed to the popularity of this film. The film is not only the latest craze, but also provides great pornographic attraction. That is because of Patricia Rhomberg! She plays the character of Mutzenbacher outstanding and revitalizes this historical figure in a very stimulating way. She is effectively responsible for the bad quality of the following parts: Patricia Rhomberg was only available for the first part out of four. In part two, three and four, director Hans Bilian unfortunately is bogged down in idiotic silliness in order to deflect from Patricia's moderate successors. In the 1st part of the film, she is mercifully in the centre of all sex scenes. These are sometimes a bit absurd and keyed up, but meanwhile explicit and multifaceted and with this, completely atypical for German porn. The actresses and actors have the distinction of being simple. It seems as if they all come directly out of the folk, which give additional authenticity to the film. At the beginning of the film, we see Josefine as a teenager. Each night she agonizes over her increasing appetite on being fucked. Masturbation brings her only small relief and so it does not take a long time until first sexual contact. First, she is content with a blowjob, but shortly afterwards she loses her virginity at a well-built fellow who of course does not show the slightest inclination to resist the sexual desire of this wild nymphomaniac. From then on, our heroine straggles through multitudinous erotically adventures and one climax follows the other. In one scene, Josefine enjoys extreme cumshots three times by only one lover. Moralizers of society get a skit caused by the scene with the priest who turns out to be sleeky and sex-craving, shameless taking advantage of his ascendancy towards Josefine. However, Josefine does not let put herself off her stroke and straight-line follows the way of her destination: she wants to become a bitch by passion and have maximal pleasure while doing this job. Before our very eyes, Josefine realizes her dream. It is a real pleasure to watch her doing this!

Direction: Hans Billian Actors/actresses: Patricia Rhomberg, Marie-France Morel, Sepp Gneissl, Siggi Buchner, a.o. Run: 91 min.

MEMORIES WITHIN MISS AGGIE (USA 1974)

One thing is clear: who likes THE DEVIL IN MISS JONES likes this film, too. MEMORIES WITHIN MISS AGGIE is likely obscure, likely curious and and has a very bad end. It is open to dispute which film is the better one. Both of them are of such high quality that their director Gerard Damiano is quite rightly considered as one of the most famous and as well best porn maker. Characteristic for his films in the 70ies is that sex is not only pictured as a sensual act but also as something tragical, even more destructive. An ideal sex world does exist neither in MISS JONES nor in WATERPOWER for Damiano who describes his films as an extreme form of expression of arts. It seems as if he wanted to demonstrate that DEEP THROAT, who was meant to be a blithe classic, was an exception, a delusion - what he IS indeed. Well, no one stroked on the idea that MEMORIES WITHIN MISS AGGIE originates from the same director. The heroine of the film (here acted by Norah Ashira) strays through her dreary home, she talks to a strange man in wheelchair, plays with a cat, brews tea, looks at herself in the mirror. She thinks of bygone times, whereby is always unclear if these are real memories or only utopian dreams. In flashbacks we see the young Miss Aggie (Kim Pope) who lets herself deflorate by an unknown man; the lonesome Miss Aggie (Mary Stuart) who gets self-gratification by a real doll before she gets a horny ass-fuck; and finally the obsessed Miss Aggie (Darby Lloyd Rains) who masturbates as a whore before an odd guys' nose in order to drink his sperm compulsively. Very sensual but somehow disastrous images present to our eyes. The film ends not a bit sensual but rather brutal. Something must have gone wrong in Miss Aggies life, cause in order not to be alone any more, she kills a gentleman who is accidentally on a visit to her but sadly wants to stay for a single night. At first she cuts out one of his eyes, and then feasts her eyes on his pains before she stops his life. As things turn out this man is the mentioned one in the wheelchair respectively his decayed body. This body is from now on the one and only reference person resp. reference body. It is over and over remarkable when porn shines not only with sex but also with suspense, convincing actresses/actors and especially with ambience. MEMORIES WITHIN MISS AGGIE is therefore a prime example! The film abducts ourselves believably into a dark dream world and creates in a mere 73 minutes whereof "reputable" films find too hard a nut to crack. This exceptional porn gets an "A"!

Direction: Gerard Damiano Actresses/actors: Norah Ashira, Kim Pope, Darby Lloyd Rains, Harry Reems, Eric Edwards Run: 73 min.

THROUGH THE LOOKING GLASS (USA 1976)

This film is one of the few types of porn which, because of his extravagance, was mentioned in arts sections of famous newspapers and which was as well screened in reputable cinemas. To prevent mixing up: THROUGH THE LOOKING GLASS has nothing to do with the porn musical ALICE IN WONDERLAND, which originated in the same year. Both films are indeed leant on the fairy-tale of Lewis Carroll, but because of the contrary temper, they should be seen as respective contra-parts. THROUGH THE LOOKING GLASS is not a blithe musical comedy, but rather disconcerting and thrilling psycho porn. Catherine Burgess acts a bit coy lady of the upper class. Her father makes over a stately home to her, which she occupies immediately and in which she discovers a strange looking glass. Masturbating in front of this mirror, she gets visions in which her father rises from the dead and chops out of the looking glass like in a horror film. Catherine accepts her father's invitation to a trip to the reverse side of the mirror. The goings on the other side impresses her a lot: Strange people amuse themselves by freaked out sex orgies. From now on, Catherine strolls niddle-noddle between two worlds. In the small introspective sphere of her home, she comes increasingly into conflict with her husband. The fazing but sensual world of her father allures her even more. Finally, she wants to escape the power of the mirror and her undead father. However, Catherine does not succeed, and one night she masturbates again in front of the looking glass. Her father gloomily comes to the fore like a satyr, fucking her brutally before he finally takes her to the other side. The world over there presents itself as sinister desolate scenery and Catherine realizes that she came to a sex inferno with nasty crackpots. But there is no turning back now. Catherine's daughter who gets ready to go the same way as her mother finally proves the bad end. The heritage of the looking glass continues. THROUGH THE LOOKING GLASS is a great film, operated by peculiar, sweeping and not least highly erotic images. On the cover of the present DVD is written that the film acts as the pictorial arts of Hieronymus Bosch. It cannot be final cleared if this is true. But it is certain that this porn is an absolute masterpiece!

Direction: Jonas Middleton Actresses/actors: Catherine Burgess, Laura Nicholson, Jamie Gillis, Terry Hall, Kim Pope, Ultra Max, Bobby Astyr, Nancy Dare, Al Levitsky, a.o. Run: 91 min.

DEEP THROAT (USA 1972)

Linda (Linda Lovelace) does never have a climax at sex. A doctor finds out the reason: Linda's clitoris is placed in her throat. Linda begins with extensive oral sex and finally achieves happiness. The plot of this film is inventive, but DEEP THROAT is not only the best known, but also the qualitatively worst among porn classics. Due to the chance to be accidentally the first porn which was provided with a relative high budget of 25,000$ (alleged sponsored by the mafia) and which was accordingly shot and marketed professionally, DEEP THROAT won a lot of fame. Finally, the benefit was comparatively high: The film brought in more than 600 millions Dollars. The genesis of the film rocked the boat repeatedly and still lets it appear in a doubtful light. Main actress Linda Lovelace, who lost her life aged 53 in 2002 by a car accident, shall be forced to sex on camera. Lovelace, who became a protagonist of the anti-porn-movement in the 80ies, wrote after her exit of the porn industry that it would be a crime to screen the film these days, because each person who watches that film, would also look on a rape. This is repeatedly controverted from other fanciers of the branch. Linda's appearance in the film appeals in any case very loose, and signs of violence at her body which adversaries of the film want to have seen, are obscured. In about 10 days of film shooting accrued trashy, historical important but at most amusing junk porn, which is only few sexy. Quality of stagecraft exists curiously enough at Linda only, and also Harry Reems who was impended by 5 years of arrest for his debut, acts at least blithe the character of the loopy doc. The music is betimes funky but with a clumsy air; porn scenes are without any esprit and largely ragged. The ability of director Gerard Damiano related to DEEP THROAT is far away from those of THE DEVIL IN MISS JONES, MEMORIES WITHIN MISS AGGIE and WATERPOWER. Even Damiano himself regards his most famous film as not succeeded. The brisance of the film was not owed to its quality, but alone to its social explosive power, which could fully develop in the social climate of the 70ies. DEEP THROAT respectively the tender subject oral sex were topic talk of the day, and after even the NEW YORK TIMES reported over the new PornChic, people from all social stratums stood in line for a ticket. The well-known feminist Camilla Paglia comment in the documentation INSIDE DEEP THROAT (USA, 2004) about the scandal film as follows: "DEEP THROAT was a milestone in the history of modern sexuality. For the first time, civil women of the middle-class went to porn cinema. He has really broke down traditional conventions." Various disputes with the justice and as well the American government under Richard Nixon, which not only tried to forbid the film by hook or by crook but also the often cited Golden Age of Porn, were the consequence. Watching porn had something rebellious and many highly ambitious directors had only one thing in mind: Sharing in this revolt and shooting the best porn in the world. Despite of its mediocrity, we finally owe a lot to this film.

Direction: Gerard Damiano Actresses/actors: Linda Lovelace, Harry Reems, Dolly Sharp, Bill Harrison, William Love, Carol Connors, Bob Philips, a.o. Run: 60 min.

SENSATIONS (Netherlands 1975)

SENSATIONS portrays the erotic adventures, which Margaret and her friend Julie undergo in Amsterdam's artists scene. While Margaret at first does not know how to consider the flippant amusements of the people, Julie quickly addicts to these sweet attractions. After a visit at a sex-hungry female art collector and her sadomasochistic inclined friend, it takes only a short discussion between friends for Margaret to try finally out free love. Cheerfully, the women visit a vernissage whose subject is - of course - modern erotic art. At the following party, it gets down to the nitty-gritty and a very excessive porn orgy begins. Sex freaks of all shades go about it creatively and extremely. A strange woman masturbates with a dildo in sight of the guests, another pisses into the mouth of a horny venerator, a man licks the cocaine-powdered clit of a posh woman, and smoking weed is as well custom. At the end of the party, the illustrious party guests turn to Margaret. Women and men start licking and biting her. Margaret is in fact laid by every trick in the book, because at the climax of her lust, the heroine of the film disappears into thin air. In the fraction of a second, she is off, and this glamorous film is over. SENSATIONS is erotic movie in pink of perfection. Lord of porn Lasse Braun (see also SEX MANIACS and AMERICAN DESIRE) fuses in his film porn, arts and hippie being the sleazy and almost surreal way. Autumnal Amsterdam, liberal-hedonistic climate in the city as well as drugs must have had a magical effect on the director and its crew. Intelligent dialogues about sex and moral interfere with lacy anal- or blowjob scenes in delightful ambience. Therefore, it is difficult to elude oneself the curious ambience of this film. By the choice of Brigitte Maier, the film has an extraordinary pretty and interesting main actress. She really seems to be a bit shy, what goes fabulous with the impression that the other ladies and gentlemen seem to be exhibitionistic assessed hedonists indeed. The soundtrack of the film also deserves to be emphasized. Music was never handled so sensitive in porn yet. The sugar-sweet title song is in hard contrast with what we hear during the film: Crazy but always-cool hippie music. SENSATIONS was of course a complete success and had as well hugely attendances, which let some reputable blockbusters look pale. You are looking for the ultimate avant-garde porn? We warmly recommend SENSATIONS. Rating: Exceptionally valuable!

Direction: Lasse Braun Actresses/actors: Brigitte Maier, Tuppy Owens, Eva Quang, Frédérique Barral, Nathalie Morin, Nicole Velna, Tania Busselier, Trixie Heinen, Véronique Mone, a.o. Run: 75 min.

THE DEVIL IN MISS JONES (USA 1973)

The indeed darkest film in porn history, THE DEVIL IN MISS JONES, starts and ends with frowningly music and the imploringly appeal by a masturbating woman: "Put your cock in me! I can't do it by myself. Touch me, please!" Camera navigates through the room that resembles a prison cell while a man (Gerard Damiano!) enters the scene. He answers mysteriously by the words: "He is here…" They are talking about the devil. He floats somewhere in the cell and he put a man by the side of Miss Jones who is not determined to satisfy her sexual desire. Miss Jones has to be with him evermore. That is of course hell! One without exit, and what sounds existentialist, shall exactly be this, because Gerard Damiano, master of subversively porn, finally got his inspiration from Jean-Paul Sartre's drama NO EXIT. How Miss Jones blundered into this forlorn situation, we get to know in the second sequence: On a rainy day, Miss Jones strolls through her flat. She runs herself a bath and slashes her wrists while sitting in her bath. We see her die, and a little moment later, she is located somewhere between heaven and hell. Sitting behind a plain wooden table, a man announces that she has no choice in her case and that she is condemned to hell because of her suicide, an inexcusable deed. Miss Jones takes it calmly. Unfortunately, it comes only now to her mind that she neglected something important in life: lust. She died indeed virginal and shall stay as such in hell forever. This thought is intolerable to her, and the secretary of the devil thinks that this penalty is too hard for her, too. Ignoring his chief, he appropriates a short adjournment to Miss Jones in order that she could catch up on the matter of lust. He points at a door that Miss Jones shall go through and behind that door, it gets going: We see Miss Jones experience all versions of lust in very drastic scenes. It was bound to happen: Lust pleases Miss Jones so much that life generally seems to her much more worthy to live. However, there is no return. The way to hell is all the harder for her now. A sad story - a dazing infatuating film! Porn that shows a suicide in the detail, porn without any hope for a Happy End - this is unique. Unpromising, unappeasable appetite hurries Miss Jones on. The undertone of the film is accordingly downbeat. The interaction of shrill music, hard sex and harsh, often frantic words, which Miss Jones addresses to her lovers, fortify this depressive impression. Pictures are chary and brusque. The devil casts his shadow on each scene. Not a bit of glossy erotic. Sex is shown hard and dirty (exception: the very tender dykes' scene). Pornographic scenes are characterized by stunning beauty and extreme erotic brisance after all. Georgina Spelvin as Miss Jones acts brilliant! Like his follower MEMORIES WITHIN MISS AGGIE, THE DEVIL IN MISS JONES is porn that you should watch best on a blurry day in November. This depressing film does not make you be in high spirits in no case, but with Miss Jones, Hardcore comes to you in the true sense of the word. The film was indeed declared as the "APOCALYPSE NOW!" of porn by people. Who has seen both films, knows that this comparison has its warranty.

Direction: Gerard Damiano Actresses/actors: Georgina Spelvin, John Clemens, Harry Reems, Mark Stevens, Rick Livermore, Clair Lumiere, Sue Flaken, Albert Gork, a.o. Run: 68 min.

CALIGULA (USA 1979)

CALIGULA is a spectacular, sensation-seeking and very cruel history drama as well as a sex- and porn film at the same time. Above all, it succeeded as a cruel history drama and sex film, because only strong shortened versions were screened in cinemas in those days. Well, so what? CALIGULA is a breathtaking experience even if hardcore scenes are missing. However, with hardcore scenes, the film is not only getting brand hot, but also pleasant and additional provocative. If this film is actually about porn depends on the existing version. Even a 90 min. taking version of this - in this respect - immoderate work was screened on TV. You should better watch the 156 min. version, in which not only the cruelty of the film is revealed, but also delightful shot lesbian performances, ejaculations a.o. By the intense hardcore scenes in CALIGULA do not come from Tinto Brass. In his 142 min. taking origin version, Brass shot porn in a legal sense - the film IS a big sex orgy finally - but sex scenes were not put in the centre of scenery as usual. The producer Bob Guccione filled this gap. At the end of Tino Brass' shooting, he called the crew together (in Brass' absence) and shot the relating scenes, which made CALIGULA to become the most large-scaled hardcore movie in film history. The Golden Age of Porn was on its maximum and CALIGULA ought to be the first porn which acting combines sex in a believable way - the first real full-length hardcore movie. The good thing about it: The hardcore scenes fit in the whole film as if they have always been there. In a smooth way, Guccione ties to erotic scenes and completes wonderfully of what Tinto Brass sadly recoiled from. CALIGULA is until now the only porn with real stars - even this did not happen voluntary. Peter O'Toole i.e. knew that Tinto Brass wanted to set up work in a very explicit way, but porn was out of the question. McDowell, who can be watched in lots of soft sex scenes with ex-playmate Teresa Ann Savoy, was astonished, but not angry like O'Toole. At some point, he has sex with a horse. We do not see any details, fortunately. By all we know today, circumstances under the Roman imperator Caligula were indeed as shown in the film. It shows in very opulent images and in front of detailed setting how misuse of power and decadence coined this period and how insanity is in a man who stands on the top of all. At the end this man is murdered by other maniacs and whose beneficiaries, even just like in reality.

Direction: Tinto Brass Actresses/actors: Malcom McDowell, Teresa Ann Savoy, Peter O'Toole, Helen Mirren, a.o. Run: 156 min.

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